#cw rape mention

[msexcelfractal]

honestly

You're not ready to go back to Nevermore.

[reasonsforhope]

Btw I think it's worth mentioning that I'm like. In some ways an extremely cynical person:

Literally, one of my major opinions on humanity is "Humans really seem to like committing genocide???" (Look, obviously genocide is a fucking atrocity, and I'm in no fucking way diminishing that. It's just also something that people keep fucking committing.)

I work professionally with survivors of abuse, rape, and incest.

I think that most people are (by design, aka evolution!) fundamentally self-interested (and also that that's usually okay)

I am more caught up on the news than like/at least 90% of people.

So when I say that I think that:

Hope is real

There is real, substantial evidence for hope

I think we're going to beat climate change

There is a ton of evidence that supports us beating climate change,

We're going (continue) making the world a better place

The good of humanity and the world ultimately outweighs the bad

It's not because I'm sticking my head in the sand. It's really, really not!

I'm saying that in very real knowledge of how fucking shitty things are and can be.

And despite all that, I'm still hopeful. I'm still optimistic.

I still think hope is going to win.

You don't need to be some huge optimist to have hope.

Anyway here's a link to my masterpost on why we're going to beat climate change,

And here's a link to a great article* on all the reasons that this century is, on average, the best time to be alive in human history.

*It is mostly a great article but warning for some brief but serious fatphobia and some annoying Western-centrism.

The world isn't perfect. It's so far from perfect. Hope is still worth it.

[skufdaddyswansea]

Mouthwashing, Dual Protagonists, and Captain Curly

While the vast majority of Mouthwashing is shown from Jimmy's perspective, the events leading up to the Tulpar's crash usually follow Curly. There are several interesting reasons for this, but there's one reason in particular that I'd like to focus on.

By setting Jimmy and Curly up as dual protagonists, we're invited to draw comparisons between them. Not only are they the lenses through which we view the story, they pass the role of Captain back and forth between their chapters.

It's easy to feel sympathy for Curly, given the state he spends the larger part of the game in. It can also be easy to gloss over his more subtle shortcomings when measuring him up against Jimmy.

In this post, I want to take a closer look at Curly's character. And more specifically, how he relates to one of the game's most obvious themes.

Is Curly able to deal with the consequences of his actions? Does he realize his own failures and how they harm the people around him? What does he do with the power he's granted over others?

Does Curly take responsibility?

Jimmy's fixation here gives us a good jumping-off point. It's certainly possible that he's only really been told this once or twice, but because he's Jimmy he's blown it out of proportion out of spite. It's also possible he's entirely making it up because he's projecting, but I think the former is more likely if anything.

And, if I had to take a guess where he heard it from, I'd put my money on The Pony Express itself.

In the eyes of The Pony Express, a "great leader" isn't someone diligent or able to meet the needs of his crew. The real reason Curly was able to rise to the top of the ladder and become captain is because he gets the job done without rocking the boat.

I'm establishing all this because I think it's worth examining by what metric he's being judged. Because, while it may be Jimmy who most often digs this point up, Curly doesn't disagree with him. Even in the depths of his ennui, it's important to him that not only is he the Captain, but a good one at that.

When comparing the two, that can again seem difficult to argue against. Jimmy is quick to lash out and shift blame. His resentment and insecurities often drive him to pick fights. Curly prefers to avoid conflict, but knows his position doesn't always allow him to do so. He tries to pick his battles, but when he has to get involved he focuses on de-escalating the situation.

But although their similarities are few, they do exist. And they greatly influence the narrative. Because it is from their shared selfishness, callousness, and cowardice that the entire story is born.

It's time to address the elephant in the room. We can't draw any conclusions about Curly's nature, his character, his role in the story, and his relationship to its themes without digging into his handling of Anya's assault, and the chain of events that follow.

I find it interesting that we never see the initial conversation Anya has with Curly about the assault. We simply know that she confided in him. He is the Captain, after all. The crew is his responsibility.

The thing is, we don't really need to know the exact conversation they shared, because we can imagine it went quite similarly to their conversation about her pregnancy.

She tells him how scared she is. She fears for her life. It never even occurred to him that she was upset about anything other than losing her job. He swears to her that everything will be fine. They'll fix this. All he has to do is talk to Jimmy.

He does not talk to Jimmy.

Maybe the first time he really did intend to. He just needed time. Jimmy has always had... struggles. If we want to, we can be generous to Curly, we can assume his old problems were much less vile. Otherwise, he would have never pulled the strings to get him this job, never put him in a position of power over vulnerable people. Right? But now, this was whole new beast altogether. Because he and Jimmy go way back, he had to process this, figure out what he was even supposed to say.

But at the same time, The Pony Express had just gone gone under. He'd been struggling with dissatisfaction and indecision for so long, and now his hand has been forced. He has his own problems. And Anya seems fine, doesn't she? If she hadn't said anything, he'd never have even known there was anything wrong. It just doesn't seem that important.

Anya talks to Jimmy herself.

She's scared, she fears for her life. But now she knows now that Curly won't defend her, nor give her the means to defend herself. Still, he promises her, they'll fix this. He just has to talk to Jimmy.

Things are different now. He can't sit by and wait for things to work out anymore. After all, it's not only her problem anymore.

Now it's Curly's problem too. How is he supposed to find another job with this on his record? There's only one other person on this ship who understands what he's going through.

He talks to Jimmy.

And he understands. Not that what he did was wrong, of course. Not that he'd done something horrific, irreversible, cruel. But that it now had consequences, and that he wouldn't suffer them alone.

Curly made his decision. He chose his paper-thin illusion of peace and his eroding friendship with Jimmy over the safety and well-being of his crew. And when it all came tumbling down, he decided it was better to bury them all under the rubble than to face the struggle to rebuild.

If Jimmy hadn't been there, hadn't been his co-pilot, Curly almost certainly would not have been able to bring himself to actually follow through with something so selfish and reckless.

But Jimmy was there, and Curly made sure of that.

So, it's time to ask again. Does Curly take responsibility?

Well, yes.

But it's too little, too late.

As much as Mouthwashing is about Jimmy fighting furiously against the consequences of his actions, it is also about Curly being forced to watch them unfold anyway. His silence and inaction, once a choice, are inflicted upon him by his mangled body.

Jimmy may have crashed the ship, but Curly gave him the keys. And so it's fitting in the end that Curly is made to take the full weight of responsibility by the man who he helped avoid it so many times.

[ayeforscotland]

Can 2024 be the year we stop using stupid fucking terms like ‘unaliving’?

Self-censorship is still censorship, and mature conversations should use mature language.

Same can be said of ‘grape’ instead of ‘rape’, ‘corn’ instead of ‘porn’.

We need to be able to discuss these things, and we also need to use that language so people who want to avoid these conversations can block the tags. Using silly language like that circumvents the space that people curate for themselves.

[loveless-arobee]

I do not understand why, when I talk about sexual relationships or wanting to have non-romantic sex in general, people feel the need to respond with stuff like "as long as you don’t lead people on / trick them, you’re fine", "as long as you’re open about what you want, it’s okay", or even "as long as you don’t force people to have sex with you, you’re fine."

No one would respond to a person talking about wanting a romantic relationship with "well as long you don’t abuse your partner, you’re fine" because no one would just immediately jump to that assumption.

But hearing me talk about sexual relationships and immediately thinking I might want to trick and abuse, even rape people, and need to be reminded that that is wrong, is somehow seen as normal? Why?

Just. Maybe don’t say stuff like that? Of course everything said is true. I’m aware raping people is wrong, I don’t need to be constantly reminded of the fact that people see me as a rapist-in-waiting for being AroAllo, or as a whore who leads the poor alloros who just want to have a romantic relationship on and tricks them into having non-romantic sex with me (because obviously no one would have sex with me if I were open about my intentions).

Why do people feel the need to say these things every time sex (and especially non-romantic sex) is mentioned? Why do people assume the worst possible things, to then say "well as long as you’re not a horrible piece of shit, you’re fine ig"?

Or am I just reading too much into it? Am I overreacting?

[holmsister]

Ok, my long delayed post about Kabru and the Winged Lion. This does not end here, I'm adding more in a reblog.

Heavy on spoilers. Taking the extra material from @dunmeshistash who I apologise to as usual

Let's start here:

I don't care if you're a wasp you owe him 22 years of alimony

Two important takeaways here:

1) Kabru's hatred of monsters is caused not just by the Utaya catastrophe, but also from the fact that even before that, his unusual eye color was connected to monsters in local lore, and this led to ostracisation and, we can imagine, violence or at least the threat of violence towards him and his mother, serious enough that she escaped to Utaya, aka the place where the dungeon would kill her.

Kabru crucially does not place the fault for this on his father's family, but on himself for being born with 'monstrous eyes'. This is a normal way of reacting to ostracization in children, interiorising instead of projecting the trauma. It's much easier to imagine a world in which there's actually something wrong with you than one in which others might make you suffer for no reason. Monsters are also much more likely to be offered as an explanation by the adults than the actual more realistic explanations (infidelity or rape), which would not be considered appropriate.

This means that indirectly, child Kabru feels that his own 'monstrosity' is responsible for his mother moving to Utaya to protect him and ultimately dying.

2) in the Dungeon Meshi world there are specifically legends about *demon* succubi and incubi (real world lore says succubi prey on men and incubi on women and I assume that's what Laios is referring to with the distinction, but besides that lets assume theyre one and the same), distinct from the *actual monsters* succubi. The demons and monsters have a similar MO of using a person's desires to capture them, but while monster succubi suck a person's vital force, the demons supposedly use the men for their seed and the women for their womb to reproduce (again, completing dungeon meshi lore with bits of real world lore here). Laios, our local monster expert, thinks those demons are just legend. He tells us there are monsters that do use people as incubators for their eggs but I highly doubt that's Kabru's case, uncanny resemblance to a wasp notwithstanding (Laios...)

From here we go to:

Kabru's incredible rizz

This is where the tumblr search function spat in my face and ran away with the rest of my references while giggling. Oh well.

It's noted over and over in canon and extra material that Kabru is charming. More than that: Kabru *will do anything to get someone to like him*.

Worth noting that Daya and Holm *like* Kabru. This is not them disparaging an acquaintance, this is them levelling a criticism at a good friend, a criticism that seems to have been levelled at him before even ("it's no surprise...").

So, important takeaway: Kabru isn't just charming in general, he VERY SPECIFICALLY makes an effort to be charming. He needs people to like him, to trust him, and in order to obtain this, he's willing to lie and pretend.

Like with the Canaries: he needs them to trust him so they will keep him privy to their plans. So he plays up the poor innocent baby orphan angle:

And with Laios? The what (pretending to like monsters) we know, but why?

Kabru thinks Laios is the only one who can conquer the dungeon without the elves or the dwarves intervening and taking control. He is however very worried about his motivation. He wants to know why Laios is going so deep into the dungeon - beyond wanting to save his sister. What motivates him? Can he be trusted?

In the Toshiro chapters we find out that he has been trying to get in contact with him for weeks, possibly months, but this is the first time he has had a real possibility to meet him, and in order to make sure to leave a positive memory and possibly be an influence in the future, he pretends to be aligned with Laios' as much as possible, including hiding his hatred of monsters. I have written tons on this that has now been lost to tumblr like tears in the rain, but: I do not joke when I say that I think Kabru is flirting with Laios before and after the harpy egg incident. Let's be clear: Kabru's intentions are not romantic at this point. But he has noticed how lovestruck Laios was with Toshiro before their confrontation, and he's thinking, well, if I can get him to develop a similar crush on me, I can probably get him to listen to me more easily. Like I can mince words and put things in scary quotes but that's straight up what's happening. Kabru is trying to establish a close bond that wasn't there before: it might not be necessarily sexual, but it's definitely a type of seduction.

It kinda works.

The rest in a reblog because I ran out of space.

[howlsofbloodhounds]

I hate fanfics where killer is made out to be worse than nightmare. Like literally “nightmare saves cross from being raped by killer!!!” Shut the fuck up. Let nightmare be the shitty person he is without having to make someone else look worse for once.

[brandwhorestarscream]

part 2 of D-16 carrying Sentinel’s sparkling please?

Your wish is my command, anon! I had a lotta people asking for this, so many messages! Ya'll are so sweet, I really appreciate it, so thanks for that! Let's get right into it ^-^ part 1 is here, part 3 here, part 4 here!

Orion is at his side in an instant, yelping, "Dee, no! Stop, you'll hurt yourself!" As he forcibly grabs his friend's servos to stop him from tearing himself apart. D-16 shrieks a wordless noise of agony, and then collapses forward onto Orion to begin sobbing violently into his shoulder. Clutching onto him like a lifeline, wailing with all the devastated force he can. Bawling against Orion and falling to pieces, brokenly asking what he's going to do. 

Orion numbly wraps his arms around Dee, letting his chin fall onto his shoulder. His arms slowly tighten, til he’s clinging with near-denting force, and his optics begin to sting with tears too. It hits him later than it did D-16, what exactly Sentinel did to them. That he intentionally got them drunk and lied to them, he lied, lied, lied about them being special and lied about caring for them, all so he could make them pop their panels. It sinks in, slowly, exactly what he took from them: he robbed them of their first time, something that should’ve been one of the tenderest, loving moments of their lives. He used them and threw them away just because he could. He ravaged their bodies selfishly, under false pretenses, without a care for how it would effect them. He touched their sparks. He raped them, both of them, and a sob suddenly flies past Orion’s lips. It hits him all at once, with a feeling like a train has just plowed into his chassis full-force, and all he can do is cling onto D-16 and wail. They cry together, desperately holding onto each other there on the cavern, weeping with all the force of their broken, disgusted sparks.

Alpha Trion stands vigil over them, observing in sorrow, letting them mourn and grieve all that they’ve lost. His spark aches for them. Poor, poor children… they’re so young. Too young to be forced to weather something like this, such an egregious sin… he watches Elita approach them with a haunted look on her face, B-127 wandering closer in her shadow, and she reaches a trembling servo to gently rest on Orion’s shoulder. He grabs onto her wrist like a lifeline, face angling up to look at her lost and broken, optics shattered and expression void of all hope. She bows her helm, mouth pressed into a thin line and lips trembling. Struggling not to cry for them. B-127 creeps closer and, after hesitating for a moment, pads forward to glom onto D-16’s arm. He’s silent as the bigger mech cries, patting at his arm and trying desperately to think of something he can do. But there’s nothing, not really, nothing in the universe could ever soothe a pain like this.

They cry until they can’t shed any more tears, til their bodies have completely exhausted their optical cleanser and lubricant stores, and they’re left dry sobbing and shuddering in exhaustion, slumping against one another and barely upright. It hurts. It hurts. Everything hurts.

“...little one,” Alpha Trion gently addresses D-16 at last, stepping forward and flicking the last of his tears off his face. “I cannot undo what has been done to you, but I can offer to relieve one of your burdens.”

D-16 sniffles miserably, still huddled close to Orion where they’re now sitting side by side on the floor. Orion is cross-legged, face in his servos, with Dee snuggled close against his side, his helm cradled on the blue mech’s shoulder. “Wh…” his voice creaks like a rusty hinge. “What do you…?”

Alpha Trion steps back and raises his palms to the sky, optics closing and exhaling a great puff of air. “ONYX!” his deep voice echoes through the cavern like a clap of thunder. “Onyx, my brother, I beseech you. Speak to this child in my place!”

A warm wind blows in from nowhere, with such force it disturbs the magnetic sand all around them. It begins to swirl, lifting from the ground and into the air to form a funnel, billions of grains chasing one another around and around and forming a curtain around Alpha Trion’s body. They cluster around and seem to consume him, rushing over his plating and molding to his form like a second coat of paint. His helm drops back so his face is parallel to the ceiling, then he gasps as his optics fly open. No longer blue, but a warm, crackling orange-and-pink, like a freshly lit hearth.

He stumbles forward, unsteady on his pedes, taking to one knee and his left palm touching the floor as he stabilizes. “Oh…” when he speaks, it is not Alpha Trion’s voice. He’s… a bit higher pitched. Warmer. Even gentler. “Mother… mercy…”

He shakes his helm and the sand stubbornly clings, before at last he raises his face, zeroing in on the frightened, confused quartet.

“Oh…” he straightens up, optics drifting from each of their faces before focusing wholly on D-16. His expression slips from bafflement to a sort of pained compassion. Not quite pity, but if the way his mouth turns down and his optics narrow with sorrow are any indication, his spark aches for them. “Oh, dear…”

“D-Did he say-” B-127’s optics are impossibly wide, and he’s frozen on the spot, unable to move his pedes. “O-Onyx Prime-?”

“Indeed,” he nods in affirmation, straightening up. Though he remains in Alpha Trion’s body, the sand constructs his visage, shaping around the crests of his helm and fanning out on his back to take the form of his wings. Wings that were missing from his corpse. “Though I wish our meeting was under less dire circumstances, children.”

“Y- You’re-” Elita is starting to frown, inching in front of her group with one arm out. “You’re… th-the god of death-” Oh, Primus. Is he here to reap their sparks? Has Alpha Trion channeled him here to take them away?!

“Do not fear, little one. Peace,” Onyx holds up one servo, and his optics glimmer with warmth. He smiles, gently, hoping to put them at ease. “I mean you no harm. I shepherd over the dead, those who have already passed on. I help them find their way home to Primus, and assist them in seeking rebirth, but I am not here to be your reaper. Please… do not be afraid.”

He approaches them and kneels down just before D-16, looking deep into his optics. “Brother Alpha has called me here to speak to you, child.”

“M-” Dee is clinging tight to Orion, spark pulsing in fear. This- This is death incarnate! They said his hands could bleed a spark from it’s frame with a single touch! They said he lorded over the afterlife and knew everyone’s date and time of death to the millisecond. Having him here, specifically to speak to him, made his throat threaten to close in panic. “Me?”

“Yes,” Onyx Prime’s servo gently touches his helm and he yelps, they all do, flinching away. But after several seconds he realizes, wait… he can still feel everything. He can still feel Orion beside him, can still feel the warm gush of his vents. Actually… he feels better. Physically, anyway: his frame is already beginning to lower it’s heightened temperature back into the green zone, the insistent, horrible pain in his tanks is abating. His optics peak open, and finds Onyx still there, smiling kindly at him. “Please… you needn’t be afraid. I swear to you, upon my graves, I shall not harm you.”

“Wh…” Elita gulps. “Why are you…?”

His optics drift lower, to D-16’s chassis and abdomen. His expression saddens. “You've been forced to endure something terrible… oh, you poor, poor thing…”

The Prime pulls his servo away from Dee’s helm, though not before giving him an affectionate pat. “Listen to me, little one. You are young, you are hurt, and the journey ahead will be very difficult regardless of the path you take. Forcing you to bear this sparkling forced upon you would be a great cruelty if it is not your choice to do so. If you would like, I will take them and return to the Allspark.”

D-16’s spark slams to a stop in his chest. He stiffens, and Orion sits up straighter beside him. Elita’s mouth falls open.

“Wh… What are you…”

“It won’t cause you nor them any pain. They will be safe, and you shall not be punished for it,” he nods down at him. “I know this one, as I know all of them. They are a good spark, they will not resent you if you don’t wish to birth them. They will love you just the same, just as I will, and just as Primus will. The choice is entirely yours, little one.”

Dee’s audials start to ring, and he presses both palms to his chassis. It’s warm, overly warm as it has been the last several decacycles, and before he’d thought it was the heat of fever, but now he knows it is because he hosts an infant soul anchored to his.

He feels frozen in place. He- he could… Onyx Prime would…?

He sobs again and covers his mouth, bowing his helm. “I- I don’t-” he chokes. “I d-don’t know! I don’t know, I- I dunno, I-”

Does he want this sparkling? Does he? He doesn’t know! When Alpha Trion had announced his state, he’d been so happy. Over the moon in fact, beaming with pride and so excited to share the news. They were living proof of his and Orion’s tryst with Sentinel, proof that they were loved and important, and they were so indescribably precious. Now, though… now, they’re… they’re…

Primus, he doesn’t know what they are! He wants to curse them, wants to rip them from his spark chamber and toss them away so there’s no evidence of what that monstrous false Prime had done to him. He doesn’t want to remember, doesn’t want a constant, hideous reminder of the worst thing to ever happen to him.

But… the part of him that was previously excited wars with the other half of him. He doesn’t know that that’s what this sparkling will be. He’d been so excited, so happy, and now in it’s place there’s sadness and horror, and yet another part of him is so angry and repulsed and… and…!

He sobs again, clawing at his helm. “I DON’T KNOW!” he shouts, grinding his denta. “I don’t know, ok?! I don’t know!” how can he? Everything is such a mess in his helm, emotions at war and raging back and forth, grappling for dominance and all trying to shove the other down. He’s scared. He’s hurt. He’s sparkbroken. This is his first sparkling. Perhaps once he’d dreamed of this day, but pictured it so differently, hand in hand with someone who meant more to him than anything else, both of them with transformation cogs because they were good and hardworking and had been rewarded for their efforts. Perhaps he had dreamt of a home, with- with someone special, and a family with one or even two precious sparklings. It was a dream that was supposed to be achieved far into the future. Now, broken as he is, he worries it never will. Never can. It would be an impossibility, as he is now… if he kept this sparkling, he would have to look at it every day knowing he did not love the sire, and never could. He would have to look upon them as their only parent and know that his dreams of a happy life died long before they were even born.

But… if he lets them go, if he lets the god of the dead pluck them from his chest, he might never be fortunate enough to conceive again. What if this first sparkling is his only sparkling, and in letting them go, he loses his one chance? It’s too soon, it’s too early, and circumstances are dire, but… is he prepared to let them go? Knowing this could very well be his only chance?

D-16 sobs again, and Orion’s arm wraps around his shoulder, pulling him close against his chassis. Dee’s face burrows into his neck, whole body shaking as he whimpers again and again that he just doesn’t know!

“...peace, my little one,” Onyx Prime’s voice is rife with sadness and empathy. “You need not make a choice now, or even today. I… I apologize for bringing you further distress, but please know,” he places his right servo over his spark in oath. “The Primes are with you. When you make your choice, utter a prayer to me, and I will come to you if you require my aid.”

With a sigh, all of the sand suddenly falls from Alpha Trion’s body with the whisper of countless grains trickling to the floor, and when he blinks his optics become blue once more. “Ah…” he takes note of their distress, and shakes his helm sadly. “Poor children… rest. You are weary. Rest, and I will feed you.” once they’ve eaten and had time to process, he can reveal more to them, but that can wait.

They have suffered enough for one day. 

...

And that's where I'm gonna cut part 2! Poor, poor Dee... this is the worst day of his life, but at least he has Orion to support him. I hope ya'll enjoyed this angst nugget :3 if you want part 3, ya'll know what to do. Abuse the crap out of my ask box lol. Gimme your thoughts or predictions as well, that's always fun

[hazshit-hotel-hater]

Gotta love waking up to Vivzie saying enjoying a rapist character is totally fine and definitely has no effect on real life. Yeah no man if you want to be super into a rapist character whose only personality is being a rapist go ahead man, really. Im sure that wont fuck you up mentally in the future or potentially ruin your ability to discern right and wrong when it comes to other forms of media or real life. Who gives a fuck if a character gets raped on screen!! They’re a funny cartoon character!

I hate this lady with my entire being. The comment on the top is absolutely rancid. “it's funny how that argument is always ignored when people express how things like Hazbin make them feel seen or effect their real world experience positively.” Hey Viv, your creation and watching a character get raped on screen actually impacted he horribly and very negatively but hey, I guess I’m just being sensitive right? I guess everyone else who has felt mistreated, offended, and fetishized by your show is just a party pooper. That sucks huh.

“Maybe let people enjoy things, even if you don't.” Yeah I’d fucking hope I don’t enjoy rape. Y’know Vivzie has done such insane damage to the indie animation community and also just the online space in general and she’s never going to recognise that. I could be Viv’s best friend and tell her that her show made me feel disgusting about myself and feel like nothing more than a stereotype and she would fucking cut me off. I know this because this has literally already happened. Fuck Vivziepop.

I genuinely don’t think I’m going to talk about any current Helluva Boss or Hazbin shit because of how horrendously this fucking media affects my brain. If I post it’s about design or pre-existing plot. Till Hazbin season 2 comes out and I can pirate that shit I’m not dealing with this shit anymore. Sorry Vivzie but I don’t actually like seeing the twink bird abuser live in his victims house. I don’t feel bad for him at all. Helluva boss was originally kind of funny here and there but the episodes now are genuine fucking brain rot. I cannot bring myself to put into words how dogshit they are now.

Anyway, hope Vivzie fuckin gets therapy or gets her show cancelled. Not to be one of those crazy people that’re like “YOU SHOULD DIE I HATE YOU!!!” Cause frankly I don’t give a fuck what she does as long as it ain’t anything to do with me, but if she like died in an explosion I would not give a shit. Anyway. I have work to do. Have a hateful day and then chill out later. As much as I enjoy criticising, being negative constantly isn’t healthy. If you’re in a hating spiral, give yourself the rest of the day to get it out and do something you actually enjoy. Check my stuff out on my main blog @skreebs if you wanna see some of my Inanimate Insanity stuff. Love that show🩷

[dailyfigures]

hey guys just a little heads up if you rb my posts with long detailed rape and gore fantasies about minors in the tags you will be getting blocked and also i hope you explode. just so you guys know

[icarusredwings]

Something I thought about while walking the kiddos home since it's cubscout week, there are a lot of signs and posters.. what if Wade has a really tore up picture of him as a scout?

The edges are torn, and one side looks burnt as if he tried to burn it but stopped because he couldn't "burn" his younger self. It's so folded up that there's creasing in the picture. But the right smack dab in the middle is Wade standing there with a huge smile.

He's a twig. It's a really scrawny tiny shitty hair cut blonde kid. He's smiling so wide that you can't see his eyes, but it dosn't matter because the colours are so faded that you wouldn't be able to tell the color of them anyway. He's got a huge pack on his back.

It's so big that it's as big as he is. He's holding one of the straps, and on the other hand, he's holding up a fish that he caught. He's so proud of himself despite the fish being only a bluegill.

The sash that he's wearing has a couple badges on it. Backpacking, camping, canoeing, and swimming. It's obvious in this picture that he was working to get his flyfishing badge.

It enrages Logan when he sees it by accident. He was cleaning the room and complaining about how much junk wade shoved under there only to find this picture. It only takes him a few seconds to put everything together. The longer he looks at it, the more enraged he gets, to the point of tears.

THIS is who all this happened to? Him? This tiny innocent child?! All that pain? All this suffering? All because someone saw this bushy tailed bright eyed kid and thought something so vile, so disgusting, that to this very day Wade says he feels as ugly on the outside as he does on the inside because of it?

He's heaving, growling, and that vein is going pop out of his forehead any second now when Wade comes in. He was about to make a joke about how he didn't know where all those magazines came from when Logan snaps his head to him. His eyes quickly soften as his heart shatters more at the look of instant fear and flashback on Wades face. He swallows, looks away. Immediately gets tears in his eyes.

"Im sorry.. I.. Oh fuck wade... I should have never.."

By now, he's holding himself, leaning against the wall. He shakes his head. "It just... It wasn't his fault."

At first, Logan stares at him with a 'are you a fucking idiot?!' Look before looking down at the picture, now shaking his head. "No.. No, it wasn't. Nothing was his fault."

Sliding down the wall, he became a ball, putting his head in his knees. He's sobbing, but it's silent. The kind that makes your chest tighten so hard that you're afraid it might physically break. "I-.." he starts.

"I..it hurt so bad.."

The smallest whisper.

"I know.. I know. You killed him, though. If anything, he got the easy way out." Logan tells him, sniffling as he puts the picture back where he found it. "Imagine if I got ahold of him." He says through grit teeth, growling deeper.

A tiny chuckle comes out of Wade, leaning his head back against the wall, looking up at the ceiling, and trying to wipe his tears, but they don't stop coming. "I S-sliced his dick up like a hot dog.."

Logan can't help but groan and shake his head at the image.

"Oh great. You ruined hot dogs for me..."

[skufdaddyswansea]

Okay, I have a few more scattered thoughts in regards to Curly that either didnt fit or I just think are kinda weaker points. (and also there were a couple things i had to go back and get more screenshots for. ...again....)

Also I feel like I should add a disclaimer: I feel like I'm starting to sound like Curly's #1 Hater but I'm really not. I like him a lot! I honestly like all the characters, even if it's in.... different ways. Sometimes you like a character because they're likeable and fun, sometimes you like a character because they're interesting and deep.

(And sometimes you like a character because you want to put them in the microwave.)

Moving on.

At some point this scene really got stuck in my head. It seems pretty innocuous at first, but it actually says a lot.

Technically Daisuke is the one who screwed up here, but the fact that he was even able to mess with the vent long enough to set off the foam is on Swansea. This is his area, Daisuke's his intern (like it or not), he needs to be keeping an eye on him.

Curly can see that! And firmly but respectfully bring attention to it! He can in fact be a good leader, when he chooses to be.

So it's also interesting that this scene is followed by Jimmy's psych eval. While dealing with Jimmy so Anya doesn't have to may have been a good move, his method subtly enables Jimmy's dismissal of Anya and her work's value.

Now I want to pivot and talk about the code scanner a bit.

During Curly sections, it's always in our inventory, and as Jimmy we pick it up in the cockpit where he's... extracted from, so I feel like it's safe to say that Curly is usually carrying it on his person.

And yet.

This is another one of those things that doesnt really seem like a big deal. The Pony Express is pretty buckwild about the kinds of shit it keeps locked up with the code scanner.

But there is one glaring problem here.

Granted, this one is more of a stretch. I can't say confidently that anyone else on the crew had easy access to the code scanner. In fact, given their annoyance with everything being locked up I'd say it's pretty unlikely. It's just something that's been buzzing around in my head, but after writing it out it feels pretty weak.

But it does feel worth mentioning that if anyone other than Curly would have access to both the code scanner and the Pony Express Protection Kit (TM), it would have been Jimmy. Not to mention that if anything were to, say, incapacitate Curly, Jimmy takes over and gains control of the code scanner. Which is exactly what Anya was afraid of.

And he is pretty quick to grab it, isn't he.

Which leads me to my next point.

I touched on this a bit in my last post, but I want to elaborate on this exchange specifically. I think it's pretty revealing.

At this point, Curly thinks Anya is suicidal. He tells her she could have come to him. That he would have done anything to help her. That he should have considered that she doesn't undergo the psych evaluations, he should have thought of that, so that way he could have known.

But he did know. She told him.

Even still, when he saw Anya in this state, the only reason he could imagine for her distress was the company going under.

As long as Anya kept quiet and carried on as normal, he really didn't think it was that big of a deal.

You can see this again when he finally talks to Jimmy about it. It's simply a "difficult situation." But nothing they can't get through together.

Not to mention, Curly twice glosses over Anya's fear that Jimmy will try to kill her. Her second attempt to communicate this is followed quickly by the scene in which Jimmy attempts to kill the entire crew.

Okay, one last thing I want to touch on here. It's about the way Curly (and by extension Jimmy) use the phrase, "We can fix this." And its variations. Again, I brought it up pretty briefly before, but there's always more to say about it.

Now, Jimmy uses this phrase (or more frequently, "I can fix this.") to an almost comical degree ("Almost the entire crew is dead, but I'm going to fix this. With my gun! :)"). But they both use it it in pretty much the same way.

For others, it's an empty promise. "I'm on your side." "I'm looking out for you." "I'll protect you."

For themselves, it's a denial of reality, a self-soothing mantra they use to desperately clutch at the reins of a situation that has long since spiralled out of their control. Everything will be back to normal soon. I just have to fix it.

thanks KC Green

[claymton]

what do you think of the characters from. mouthwashing do u have a favorite

i like. Curly

Curly I guess. I think everything all the other people think.

(Let Anya abort that thing, She would not have that baby by will.)

Anyway, I don't like it when people free curly from any responsibility, sure, it isn't his fault jimmy raped anya, but also. Jimmy really had no reason to be in that ship. He's shown to be uncooperative and an asshole but curly is too forgiving.

He wants to see the good in people, he thought that allowing Jimmy in the ship would help him "turn his life around" or something silly like that. He knew what happened between Anya and jimmy, yet he didn't allow her at least any sense of security by denying her the access to a weapon AND. I don't know, adding locks to the quarters.

I don't blame curly a lot, but he too, was an enabler.

[psychotrenny]

Loooooool the trannies are fightinnnnng

talk about trans women threatening corrective rape towards lesbians. Now THAT is scary and happens constantly

Thank you for sending this in because it offers a perfect demonstration of Transmisogynistic nonsense in action. You notice how this anon took something that has been actually undeniably happening to trans women, something that's been happening for a long time and is part of a much larger systemic problem, and decided that due to our lack of humanity it simply isn't worth discussing. In fact they felt the need to reverse it, to make up some bullshit about how something horrible that is being done to us is in fact something that we are doing to other people.

Like what you're talking about just isn't a widespread problem; I'm sure you could track down some isolated incidents but the fact of that matter is that it's not happening constantly. You just made that up, expecting it to be credible simply based on the fact that it's common for transmisogynistic rhetoric to position Trans Women as innately predatory. And if enough people are saying it then suuuuuuurely it must be true. Sexual violence has nothing to do with structures of societal and interpersonal power, it's simply a matter of innate sexual depravity. And as trans women are nothing more than inhumanly sexual freaks, they are clearly some of the most depraved and therefore more sexually violent people around. And if these people really are such violent predators, than surely any accusation of sexual violence must be a credible one no matter how little basis it has in material reality. Like ignore the insane rates of sexual violence and abuse that trans women face, in fact ignore the very acts of sexual abuse that are being discussed right now. Everyone knows that by their innate nature no tranny can be a victim, or at least a victim that matters. The real problem is the abuses and violence that they commit; sure we just made them up, but those bullshit lies and hypotheticals have more value more than some subhuman tranny ever will

Like this sort of thinking is very widespread, but often in more implicit ways. It's relatively rare to see such open and direct examples of it, so this Ask really was very useful. If you want to actually get to me, maybe try a more subtle approach next time. This sort of shit is just laughable

[ask-codeearasure]

LifeAfterDeath Rant and Headcanons

I've needed LifeAfterdeath content for a week straight, because I enjoy bisexual polyamorous Reaper and his two lovers not only with unique history, but with a few screws loose.

This rant may be unorganized too, but I think you'll live. I got tired of seeing this hanging around in the drafts and I can't be fucked to look back and fix it.

Considering how popular Reapertale is, I'm impressed Reapertale Soriel and LifeAfterDeath aren't more popular, and I'm not saying this to shame anyone. I'm just appalled. I didn't expect this outcome even though I should have considering this fandom's history with shafting Life to the side and ignoring her importance to Reaper, characterizing Reaper as a perverted scumbag that doesn't respect Geno's fucking boundaries, and characterizing Geno as a sopping wet cat that wouldn't attempt to beat Reaper's ass or yell at him in self-defense at Reaper's attempt to collect his soul.

The mischaracterizations in favor of shipping never fail to piss me off, just as a general statement, especially in terms of who Geno is in canon because in truth, he has become a twisted and manipulative son of a bitch on part of his trauma, death, watching Chara complete genocide after genocide after genocide from the Save Screen, and especially on part of his own goal. Before Sans used Papyrus to get to him, Geno had a plan to destroy his entire timeline in order to stop that cycle of genocides, and there was still a part of him that didn't believe Sans's little plan would work in place of his own. Geno is also characterized to be extremely stubborn on top of that, DETERMINED if you will, unwilling to hear Sans out until he brings Papyrus with him the second to last time they met up in the Save Screen.

I imagine even after Geno is freed, he carries a lot of baggage, and with time, his prior decisions and reality of what he almost did and could have done if Sans hadn't stepped in begins to weigh on him. Even though he is free and he has a support system and two brothers to fall back on, I don't think Geno would be truly happy with the life he's living. This was implied when Error's origin was revealed, that Error was created because Geno fucked around and found out with another stock of DETERMINATION and ended up in the Anti-Void.

Geno is the kind of character that would benefit the most from adequate support, therapy, and perhaps some anxiety medication, NOT tsundere wubification and fetishization on the part of fuckass pervert Reaper so desperate for love he's willing to violate the first bitch he can touch with no consequence to them even though Life is right fucking there and has been there for AGES. He already has a source of affection. He already has an escape from the job he absolutely despises, and he's had that escape for centuries longer than he's known Geno exists.

And that's another thing, Reaper keeps getting turned into a sex pest that doesn't know how to keep his hands to himself when in reality he is the exact fucking opposite. Reaper isn't even that fond of physical touch to begin with, as touch-starved as he may be. He avoids making connections with people most of the time unless it's to reap souls. For a long ass time he has known that whatever he touches will wilt away and die. For a long ass time he has known that the vast majority of the other gods do not like him or his brother for the possibility they introduce: that gods probably can die, that life might not be eternal for them. Reaper and Grim weren't even born from stars like the rest of them; they came from black holes.

Reaper has a very depressing complexity and unlike Grim, who befriends the others to the best of his ability despite the social struggles they face, Reaper does the complete opposite and isolates in a sense. Whatever happiness he has in something else is few and far between, and once he meets Life by hanging out in her secret garden whatchamacallit, that is when their interactions start to establish a genuine connection, that even though they hated each other at first, interacting on their own terms and in an environment completely separated from the people they both don't like gives them a common basis to grow off of.

Reaper starts to learn more about life, and Life, more about death. They grow to respect one another, they grow to adore one another through this mutual understanding and growth, and when Chara kills Life, Reaper is absolutely devastated. Aside from his brother, he just lost the one person who bothered to give a shit about him and understand him, and regardless of conflict (surrounding Reaper's connection with Chara's death and "rebirth"), Reaper works tirelessly to find Life, and at some point he does succeed in reviving her or something using a glass flower.

But no, the only established part about Reaper's character that everyone knows about is he suffers from loneliness and social isolation, but now that it somehow impedes his ability to know what's appropriate or not in interacting with Geno even though he has free access to the rest of the multiverse and sees a bajillion social situations all at the same time simultaneously. He's so isolated from most accounts of living and culture that he can't be blamed for his stereotyped and fanonized behavior. Suuuuuuure. Fucking sure.

Good fucking job with that. What if I told you he's competent despite his isolation? I get that the majority of social interaction he gets has to do with his job, with collecting the souls of dying or already dead people and that most of them are difficult in accepting their deaths and letting Death the Elder take them to the Underworld, but the Reapertale gods are also capable of existing in many areas at once across the multiverse. There is no way Reaper wouldn't know better and there is no way his pain should be used as an excuse to treat Geno like a side-piece against his will. If you want a rapist villain in Reaper, then fine, whatever, but don't fuckin romanticize this shit like it has been for the last eight years. It's fucking deplorable and go have a seat in the corner over there, you asshole.

God you fuckers make me livid, and I don't even know you.

I despise how much Life is shafted off to the side as if she's one of Reaper's normal every day friends, like he has those in the first place. You are mistaking him for Grim in that regard, and I didn't think that was possible considering how different they are both in design and personality.

The history with Life mirrors a lot of themes from Classic Toriel. Asriel and Chara get fucking bodied and everything goes to shit, she leaves her husband, yadda yadda yadda. But with Life, on top of her children dying, she is furious at the creation of the very concept of death and is horrified at Asgore enforcing that. She loves all of her creations dearly and the idea that they all have to end at some point is a reality completely alien to her as a goddess, an immortal being.

This, on top of the deaths of Asriel and Chara, were Life's first introduction to death. There wasn't any peace to be seen in those things, no benefit, no bite. All she understood was the pain they felt. This is why she hates death in the beginning, both the people that are death and the very concept of it, and interacting with Reaper the way they were in her sanctuary and over a long passage of time was one of the best ways she'd understand what death really is and why it is necessary.

Life and Death coexist because an excess of either one is a disaster waiting to happen. An excess of Life would mean overpopulation, little appreciation for life, and the depletion of resources. An excess of death would mean little population and resources. In every literal way, they balance each other out.

Before meeting Life, Reaper felt as if barely anything life had to offer applied to him, that he had nothing to look forward to since he destroys all of it anyway. His meetings with Life over time showed him that there is value in what exists around him, even if it's still little. And when Life made him that glass flower from her flames, that is what that gift represented.

Over time, Life showed Reaper that his existence (and that of Grim's too) is not a curse. And in turn, Reaper has found someone else who values him.

But how would this apply to Reaper's relationship with Geno, since in this post I said Life and Death were an item before Reaper met him? I don't fucking like that this significance of Life to Reaper has been replaced by and glued onto Geno. And no, I'm not saying that as some kind of ship war whatever the fuck it's gonna be assumed to be; my claim is the characters have been skewered, when genuinely, Reaper can value Geno for different reasons than he does Life.

Geno could be many things to Reaper on top of being another lover. Reaper could really like him because Geno is a mortal or mortal-adjacent being that doesn't fear him and treats him like he does everyone else.

Reaper could experience things he hasn't before through Geno, like finally having a relationship lacking in fear or apprehension towards him as an individual, and also whatever fixations Geno would have about science or fiction. Just because Reaper knows about mortals and all the weird shit they believe and do doesn't mean he's done anything to experience it. Knowledge and experience of the same subject are two different things to have, and Geno being the closest equivalent to Reaper understanding mortals perhaps a little better would be very interesting to write.

Maybe Geno could also be Reaper's polyamorous awakening.

Of course, I could also say Geno is Reaper's bisexual awakening or both of those things at once, but I think Reaper would have already picked up on that given he sees people all the fucking time. I could also say that technically, in Reapertale, polyamorous gods are the fucking norm, but I don't think Reaper would have thought of how that applies to him given he's only had one lover up until this point and he's limited in every other relationship category anyways.

He knows the concept, he knows it exists, he knows/knows about people who are polyamorous, but he hasn't dedicated any thought to it beyond that, if that makes sense.

I also think it would be interesting, calling back on the idea that Geno is not happy with his life on the Surface, which is what leads to him experimenting with DETERMINATION again and landing his ass in the Anti-Void. I'm aware this might be bending canon information on who and what Reaper can kill via a simple touch, because Geno might not have that immunity anymore once he's free from the Save Screen, but I don't give a shit today. I'm tired of Geno always getting cornered in the Save Screen anyways, I need a change in setting and circumstances, and he can be just as much a glitch outside the Void as he was inside of it.

What if Reaper and Geno first meet in the middle of Geno's experiments, and his appearance and attempt at reaping Geno's soul is what distracts Geno from completing the events that would have led up to the discovery of the Anti-Void? While Geno is enraged, Reaper is beyond confused, perhaps a smidge horrified as well, considering the only other living thing that could resist his touch was Chara/Chaos. And since I'm working off what I know of the True Pacifist timeline of Reapertale as well, because I FUCKING CAN, Reaper does have the comfort of knowing Chara is no longer corrupted and no longer a threat, and since Geno has no sign of corruption, that must mean his resistance to the death touch comes from something else.

And there we have an issue between Geno and Reaper that makes more sense than Geno being an uwu baby tsundere and Reaper having his actual personality and history with other characters acknowledged and how that will apply to how he interacts with and becomes interested in Geno now.

Just because it ended well with Chara to some degree, as the new Demigod of Faith, does not mean there wasn't centuries upon centuries of devastation leading up to that point, and Reaper of all people could still be reeling from that as one of Chara's primary and personal victims back then. In this light, Geno and the Demigod of Faith have some similarity I doubt anyone in this equation is happy with, even though that similarity could be driven to the extreme in Reaper's mind and only Reaper's mind on behalf of the associated trauma.

Of course, with this taken into account, there is always the possibility that Reaper would resort to using his scythe on Geno anyway, but Geno is a case he doesn't know about yet and Geno is beyond PISSED that his life was threatened by this floating goth dude in a dress.

Geno would have just as much against Reaper as Reaper would have against him, since he has died before and the Save Screen was basically his purgatory for who knows how long. Geno has been tormented not at all by Death himself, but by dying and his own version of Chara as well, forced to watch the genocide of his loved ones over and over again. Dying was used as a tool against him, and there's more complexity in that area than I think we as a fandom gives that credit for, and I'm sure Life would be able to relate with that since she's had trauma related to death and has been killed before as well.

In a manner of speaking, Death and death is what brings these characters together. Life saved Death (indirectly and from his own perception of himself), Death saved Life, Death saved Geno from fucking up his own life (indirectly), and Life could advocate for Death.

Hell, if you look at the job Reaper actually does, even though his touch can kill, you will notice that he's moreso cleaning up after death than going out of his way to enact it, and Grim is much the same. The difference is what kind of souls they interact with and whether they'll cooperate in going to the Underworld or not.

If you look, all three of these characters have connections and experiences in common, whether from Chara-related trauma or dying. They could also have the same/similar interests as well, as Reaper, Life, and Geno are all fond of puns and some mode of sciences as well, such as Life with botany, Geno with the multiverse theory and DETERMINATION experiments, and Reaper most likely with how organic matter breaks down following death and other nuggets of information he picked up from time in thousands of AUs.

But regardless of how the gods in this equation can connect to other realities, whether though just existing as concepts or through social media (which is a headcanon for how Reaper keeps up), I doubt either of them know nearly as much as Geno would considering they live by a rule of not interfering with the lives of mortals beyond what their work requires.

So Geno is going to blow both their minds and maybe get them addicted to The Lord of the Rings and Star Wars, because he is that kind of nerd to me. He'd fixate on looking into Surface mythologies after his interaction with Reaper and then be absolutely fucking confused and a little frustrated when none of them end up being a perfect fit to what Reaper is. He'd brew coffee as a peace offering to Reaper whenever he shows up after he finds out the dude likes caffeine.

I'm thinking Geno is the one who accidentally establishes a connection of genuine interest between himself and Reaper instead of Reaper constantly coming back to harass him for attention he already fucking has.

And all the effort Geno would go into to try and understand Reaper as a person, something more than a concept on paper, would be perplexing for Reaper to find out about, because most people either give up or attempt to escape whenever running into him. But Geno isn't doing that. He hasn't done that since the start regardless of whatever fear he might have. In this case, Geno's stubbornness and Determination would be mistaken for bravery or the closest thing he can get to that, and that plus his curiosity is admirable.

And if anything, it's Reaper who left the first time around in reaction to Geno's rage and inability to die from his touch. I would assume it was more out of shock than anything else as well, and Reaper couldn't think of an alternative to deal with him in the heat of the moment.

No one surprises Death itself that easily, especially not mortals, but Geno is no ordinary mortal and he would continue to surprise and amuse both Reaper and Life for the remainder of his days.

-- Sarco

[stormborns]

I want to bring those who have wronged me to justice. And all those who have wronged me are right here. I will begin with Ser Gregor Clegane, who killed my sister's children and then raped her with their blood still on his hands before killing her too.